Information Security Small Businesses Research Paper

Information Security Small Businesses - Research Paper Example Therefore, the protection of information and data should be prioritized as one of the foremost steps in every organization, whether small or large. Identity theft and credit card frauds are aggravating crimes that are witnessed due to criminal acts of data thefts. Organizations around the world tend to suffer such thefts that jeopardize their reputation, and often face lawsuits from their clients. One such incident was witnessed last year with Sony PlayStation when their PlayStation network in the British division faced data theft. The Guardian (2011) reported that around 77 million users’ data was stolen. The stolen information included names, addresses, date of births, passwords and credit card numbers. The data thefts of such nature are likely to cause credit card frauds and bank frauds while attempting identity thefts. The online games service had to remain shut down for a week since they did not want the incident to recur before appropriate measures were taken to combat t he attack. Richmond Williams (2011) stated that such an enormous attack was likely to damage the reputation of Sony and threaten its capability to compete with other giant competitors such as Apple, Google, etc. It is also vital to ensure that information security measures are updated regularly to stop any intruder from taking advantage of any obsolete protection software (which is often noticed in small organizations). Alongside financial losses and reputation damages, ineffective information security measures are also likely to instigate legal actions and investigations against organizations. With reference to the example under discussion, a lawsuit was filed against Sony for not providing enough security to the data of their customers. The customers wanted compensation from Sony for the damages caused by the data theft at Sony. Jones (2011) stated that the respective company was likely to face as much as ?500,000 of fine for not being able to protect their customer’s sensi tive information. With the comprehension of the consequences of not implementing effective security measures, it is also important to understand the different types of vulnerabilities that exist in organizations. Confidentiality of data implies the safe keeping of data against any revelation without the approval of the owner of the information. The revelation of data might not be intentional by the organization; however, the data flow that is implemented for the transfer of the data might involve some unreliable third parties that might take advantage of such exposure of data. Data integrity implies that no change or corruption should happen to the data; such corruption and changes are likely to occur if effective information access procedures are not implemented. Availability of data refers to the presence of data and service upon the need of the customer and employees; cyber attacks on an organization can make an online service go offline or delete important data by adopting diffe rent types of intrusions and virus attacks etc. Authenticity and non-repudiation are interrelated concepts that involve the proof of identity of the interacting parties. Authenticity implies that the interacting

Emptiness in The Hollow Men Essay -- Hollow Men Essays

Emptiness in The Hollow Men  Ã‚     Ã‚   After Eliot had published The Waste Land, he felt as though he had not been able to fully convey the sense of desperation and emptiness in that work. Beginning with "Doris’s Dream Songs" and "Eyes I Last Saw in Tears," he explored these themes, eventually uniting all such poems in The Hollow Men. The end product is a work that, unlike The Waste Land and its ultimate chance for redemption, has only the indelible emptiness of the hollow men as its conclusion. The hollow men are those who, in life, did not act on their beliefs; they resisted any action at all, and as a result stagnate eternally in "the Shadow," a land in between heaven and hell, completely isolated from both. Eliot’s allusions give a familiar literary and popular basis to the setting, while the symbols and lyrical progression convey the futility and spiritual "brokenness" of the men. The poem’s initial epigraph, "Mistah Kurtz-- He dead" is the first of many allusions to Conrad’s novel, Heart of Darkness. Eliot uses the references to draw the reader’s attention to the moral situation of Kurtz and the others "who have crossed/ With direct eyes, to death’s other Kingdom." These men and Kurtz defined themselves through their actions, whether or not they were good. In Baudelaire’s words, "So far as we are human, what we do must be either evil or good; so far as we do evil or good, we are human; and it is better, in a paradoxical way, to do evil than to do nothing: at least, we exist" (Drew 94). An accurate description of the condition of the hollow men, this quote has also been used in criticism of Heart of Darkness. Thus the (spiritual) stagnation of the "tumid river" and those who wait beside it is contrasted with the dynamici... ...ubmission to a world that ends "not with a bang but a whimper."    Works Cited Brady, Ann Patrick. Lyricism in the Poetry of T.S. Eliot. London: Kennikat Press, 1978. Drew, Elizabeth. T.S. Eliot: The Design of His Poetry. New York: Charles Scribner’s Sons, 1949. Headings, Philip R.. T.S. Eliot, Revised Edition. Boston: Twayne Publishers, 1982. Moody, A. David. The Cambridge Companion to T.S. Eliot. Cambridge: University of Cambridge Press, 1994. Moody, A. David. T.S. Eliot, Poet. Cambridge: University of Cambridge Press, 1994. Raine, Craig. "The Awful Daring of T.S. Eliot". The Guardian. 21. August 19, 1988. Roessel, David. "Guy Fawkes Day and the Versailles Peace in ‘The Hollow Men’". English Language Notes, Sept. 1990. 52-58. Vol. 28. Williamson, George. A Reader’s Guide to T.S. Eliot. New York: Octagon Books, 1974.      

Сompare and contrast the way nature is represented in the following Romantic poem and extract from a Romantic poem

Percy Bysshe Shelley's ‘Mont Blanc' and lines 452-542 from Book Sixth of The Prelude by William Wordsworth (Romantic Writings: An Anthology, pp.329-32 and pp.133-5 respectively) Both literary texts that we will be dealing with in this essay, Percy Bysshe Shelley's ‘Mont Blanc' and an extract from Book 6 of The Prelude by William Wordsworth belong temporally to the Romantic Period (1780-1830), with the former having been written in 1816, and the latter completed in 1805, although it was not published until 1926. Wordsworth belongs to the ‘first generation' of Romantic writers, whose Romantic literature was wartime literature. Thus he had lived through the Revolutionary period and had also witnessed the aftermath of it: the dissipation in a long war. Despite his initial sympathy towards the early ideas of the Revolution concerning man and human liberties, he came to abandon them, turning from a fervent progressist into a resigned conservatist. He began to argue against the received idea of poetic language as a refined mode of eloquence available only to those with an education in previous literary models, employing the ‘language of men'. The ‘second generation', however, in which Shelley is included, belong to the post-war period, and having lived neither through the Revolution itself nor the reaction, they saw this change of view as a betrayal. Shelley's writing can be characterized as a continuous rebellion aiming at the establishment of the reign of love and freedom in human society. ‘Mont Blanc' constitutes an impressive statement of his belief in a benevolent force in Nature and of moral activity in man. Likewise, Wordsworth's Book 6 from The Prelude, entitled ‘Cambridge and the Alps', aims at charting ‘the growth of a poet's mind', with particular emphasis on the importance of Nature, which is always a key notion in his philosophy and poetry. Having given this background, we will start comparing and contrasting the way Nature is represented in the two writings with reference to their characteristics in terms of poetic form and language. ‘Mont Blanc' ‘Mont Blanc' is a 144-line ode composed during the writer's journey to Chamounix Valley in South-East France and intended to reflect the scenery through which he travelled. It is divided into five stanzas, with diversity in the number of lines in each, and is written in irregular rhyme as well as rhythmic pattern. This abandonment of regularity of pentameter iambics expresses a sense of freedom which aims, in turn, at bringing about feelings of sublimity evoked by such a close contact with Nature. The point of view is of first-person, conveying, thus, immediacy. The poem begins with the claim: ‘The everlasting universe of things/flows through the mind.', with which Shelley states his response to Mont Blanc: to consider what the landscape before him can teach about the merging of Nature and the mind. In this first stanza, Shelley develops his understanding of the mind participating in Nature, comparing the human mind to a small stream surrounded by waterfalls and a river: ‘The source of human thought†¦such as a feeble brook†¦where waterfalls around it leap forever†¦' (ll.5-9). Later in the poem as well, several ways in which the mind participates in the creative forces evident in the landscape are indicated, as in Lines 37-41, where his mind ‘now renders and receives fast influencing†¦.One legion of wild thoughts†¦'. He realises that knowledge is a combination of sensory perceptions and the ideas of the mind. The river can then serve as a symbol for the mind, a conscious power and a source for imaginative thought when he finishes the stanza with ‘thou art there!'. Also, at the end of the poem, addressing the mountain, he states that ‘the secret strength of things/which governs thought, and to the infinite dome/of Heaven is as a law, inhabits thee!' (ll.139-141). However, at certain parts, this response is implied as impossible; this world of thought is too great for a human to comprehend (‘for the very spirit fails/Driven like a homeless†¦among the viewless gales', ll.57-59). By these means, the sublime of Nature is being foregrounded. The starting lines of the second stanza talk of the scene before him, the Arve, which is represented as the Power: the universal realm of thought, which surprises us by ‘bursting' into view like lightning (‘Thus thou; Ravine of Arve†¦Bursting through these dark mountains†¦', ll.12-19). The syntax of these lines is unusual; ‘Thus' probably confirms evidence for the previous claim, although it is not clear what is being demonstrated; then, we have sentence fragments, the use of dashes, even the word order of ‘dark deep', that reverses typical locution. This disrupted, unusual syntax denotes the pressure of this overwhelming experience, causing Shelley's senses to instantly break down. Finally, we have an animating metaphor: the Ravine, which is addressed as if it were animate (‘Thus thou'), and the Arve, which descends as Power from ‘his secret throne' (ll.16-17). This allows for the writer to later address direct questions to Mont Blanc, suggesting a presence in it that finds an answering response in us (‘Is this scene†¦once this silent snow?', ll.71-74). In this third stanza, Mont Blanc is presented as ‘piercing the infinite sky' (l.60), whose subject mountains have ‘unearthly forms' (l.62) and the deeps are ‘unfathomable' (l.64), introducing thus its connections to this higher power. The alliteration in Line 78 ‘so solemn, so serene' foregrounds the perception that Nature can be both benevolent and malevolent, depending on the relationship one chooses to establish with it. In any case, even though the power is too great for mankind, it can indeed serve as a teacher who ‘teaches awful doubt' (l.77), or a faith in human nature that will revolutionise the world. This language encourages us to conceive the mountain as a consciousness something like-if not superior to-human thought, leading imagination to expand itself to the dimensions of it. In Lines 139-144 the power of the universe is symbolised by Mont Blanc, denying thus the existence of a natural religion, but for that power to have any meaning, one must exercise the imagination. The questions with which Shelley ends the poem grant the reader freedom to ponder the ultimate question of what is Nature if it doesn't merge with human mind and imagination, reflecting perhaps the freedom that he has experienced. The Prelude, Book 6 Let's move to the extract from Book 6 of The Prelude now, which is structured as a narrative, telling a story which is complete in itself, as well as being part of The Prelude as a whole, and which forms part of Wordsworth's autobiography. It is also lyrical in that in recounts his feelings and actions at a unique or typical moment: during his crossing of the Alps. It is written in blank verse, which perhaps helps avoid monotony, and the rhythm is iambic pentameter. In Lines 453-456, Wordsworth expresses his disappointment in Mont Blanc: it is a ‘soulless image', which ‘had unsurp'd upon a living thought/That never could be'. A ‘living thought' is better than ‘a soulless image': it is better to ‘think' than merely ‘to see'. Here, political language is applied to nature and the working of mind (‘unsurp'd), which could imply his disappointment in the contemporary political events. However, the sight of the Vale of Chamounix is quite compensatory: it is a ‘book' from which the young and old learn (ll.473-7). He finds fascination in the landscape, which did ‘make rich amends' and ‘reconciled us to realities' (ll.460-1). The imagery of country life, such as small birds co-existing with eagles, a reaper at work in the fields, and the threat of Winter in the autumn sunshine, which is similed to ‘a tamed lion' (ll.466), are all experienced as edifying. The climax comes at Line 524, when it dawns on them that they have crossed the Alps without knowing. The element of surprise is prominent in this climax: ‘I was lost as in a cloud' (l.525), which is perceived as the ‘Power'. The writer experiences a spiritual catharsis by being revealed of the power of the mind and the free-flowing spontaneity of the language conveys to us this uplifting rush of exaltation. Wordsworth celebrates the way ‘that power†¦came†¦athwart' him' (ll.527-9). So, impotence in the presence is followed by a future of infinite possibility, which is achieved through imagination and moves the poet from the disappointing place to time. The ‘living thought/that never more could be' (ll.455-6) is succeeded by a reference to ‘something evenmore about to be' (l.542). He is lost in the realm of time along with imagination, which transcends the human senses. Nevertheless,'the light of sense/goes out in flashes that have shown to us/the invisible world' (ll.534-6). This image conveys a denial that the normal faculties of consciousness are adequate to discover ‘our destiny, our nature, and our home' (l.538). The repetition of ‘hope' in Line 540 strongly foregrounds Wordsworth's desire to reconstitute its grounds in a dark time of post-revolutionary reaction and despair. Conclusion On balance, these two literary works share an interesting similarity in their use of apocalyptic and millennial imagery to express the relationship of man to Nature and to higher powers; they are both successful in making their readers aware of the greater harmony of the universe, both within and outside the boundaries of time. However, where Wordsworth admitted his disappointment on the view of real Mont Blanc, Shelley's reaction was the opposite. Furthermore, while Wordsworth places great emphasis on the interaction of the human mind with its environment, Shelley emphasises the passivity of the mind in the ‘unremitting interchange' with ‘the clear universe of things around' (ll.39-40); Nature is the messenger and the imagination acts upon it only after having received it.

Article Review Trends of Tuberculosis in the United...

TB article review Title: Trends in Tuberculosis United States, 2011 Retrieved from: HYPERLINK http://www.cdc.gov/mmwr/preview/mmwrhtml/mm6111a2.htm http://www.cdc.gov/mmwr/preview/mmwrhtml/mm6111a2.htm Tuberculosis etiological agent is Mycobacterium tuberculosis-a bacterium. The bacterium can attack any part of the body including spine, kidney, and even the brain. However, the bacterium usually attacks the lungs. Tuberculosis is one of the leading causes of death over the world, the United States included. Individuals suffering from TB have to be treated properly. Failure to do this may lead to fatality. TB is transmitted through air especially when an infected person coughs, sneezes, or speaks thereby releasing the bacteria that causes TB into the air. If an uninfected person breathes in this infected air, they also get infected with TB. This becomes easier when the person breathing in the air has a compromised immune system. Bacterium that causes TB is capable of staying inside an individual without necessarily causing an infection. Such people do not show TB symptoms neither do they appear sick. Nevertheless, they are capable of spreading the bacterium that causes TB to people they interact with (CDC, 2012). This paper undertakes to review an online journal on infectious diseases trend on Tuberculosis. The review seeks to capture what the article is all about, the reason why the article was chosen, and whether the article makes claims about treatment of theShow MoreRelatedSubstance Abuse And Mental Health Association1098 Words   |  5 PagesReported heroin use in the United States is rising. Recent data suggest that almost 700,000 Americans consumed heroin last year, which represents an almost 40% increase from 2007 (Substance Abuse and Mental Health Association, 2014; Substance Abuse and Mental Health Association, 2008). 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